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・ Herman Bing
・ Herman Bjørklund
・ Herman Bodson
・ Herman Boelen
・ Herman Boerhaave
・ Herman Boone
・ Herman Born & Sons
・ Herman Bottcher
・ Herman Bouber
・ Herman Bouwens
・ Herman Branover
・ Herman Branson
・ Herman Brearley
・ Herman Brock Jr.
・ Herman Bronkie
Herman Brood
・ Herman Brood & His Wild Romance
・ Herman Brood & His Wild Romance (album)
・ Herman Brookman
・ Herman Brusselmans
・ Herman Bultos
・ Herman C. Baehr
・ Herman C. Hoskier
・ Herman C. Krannert
・ Herman C. Raymaker
・ Herman C. Schultz
・ Herman C. Timm House
・ Herman C. Wallace
・ Herman C. Wipperman
・ Herman Cain


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Herman Brood : ウィキペディア英語版
Herman Brood

Hermanus "Herman" Brood ((:ɦɛrˈmaːnʏs ˈɦɛrmɑn broːt); 5 November 1946 – 11 July 2001) was a Dutch musician and painter. As a musician he achieved artistic and commercial success in the 1970s and 1980s, and was called "the Dutch greatest and only rock 'n' roll star". Later in life he started a successful career as a painter.
Known for his hedonistic lifestyle of "sex, drugs and rock 'n roll," Brood was an ''enfant terrible'' and a cultural figure whose suicide, apparently caused by a failure to kick his drug and alcohol habit,〔 〕 only strengthened his controversial status. His suicide, according to a poll organized to celebrate fifty years of Dutch popular music, was the most significant event in its history.
==Musical career==
Herman Brood was born in Zwolle, and started playing the piano at age 12. He founded beat band The Moans in 1964, which would later become Long Tall Ernie and the Shakers. Brood was asked to play with Cuby and the Blizzards, but was removed by management when the record company discovered he used drugs. For a number of years Brood was in jail (for dealing LSD), or abroad, and had a number of short-term engagements (with The Studs, the Flash & Dance Band, Vitesse).〔
In 1976, Brood started his own group, Herman Brood & His Wild Romance, (and started work with photographer Anton Corbijn) initially with Ferdi Karmelk (guitar), Gerrit Veen (bass), Peter Walrecht (drums), and Ellen Piebes and Ria Ruiters (vocals). They played the club and bar circuit, first in Groningen, In 1977 the band released their first album, ''Street''.
The band now played all over the Netherlands, playing as many gigs as possible. And Herman's drug habit became public domain: In 1977 for instance the Wild Romance played a gig in a high school in Almelo, the Christelijk Lyceum; during the break Brood was caught on the toilet taking heroine or speed (there are different reports on the type of drug, but it is a well-known story amongst former students), the rest of the concert was cancelled, and this also was the last time a rock concert took place at this school for many years.

They are still best known for their second album, ''Shpritsz''—a play on the German word for syringe—from 1978. This album contained Brood anthems like "Dope Sucks," "Rock & Roll Junkie," and their first Dutch hit single, "Saturday Night." The band went through many personnel changes over the years; the best-known formation was Freddy Cavalli (bass), Dany Lademacher (guitar) (later replaced with David Hollestelle), and Cees 'Ani' Meerman (drums). A frequent contributor was Bertus Borgers (saxophone).
Brood's outspoken statements in the press about sex and drug use brought him into the Dutch public arena even more than his music. He was romantically involved with the German singer Nina Hagen, with whom he appeared in the 1979 film ''Cha-Cha''. He is reputed to be the subject of her song "Herrmann Hiess Er" (English title "Herrmann Was His Name") from the 1979 ''Unbehagen'' album, a song about a drug addict. Brood relished the media attention and became the most famous hard drug user in the Netherlands. "It is quite common for an artist to use drugs, but not for him to tell everybody. I admit that it scared me that my popularity could make people start using drugs," he once said in an interview.
In the summer of 1979, Brood tried to enter the American market, where he toured as a support-act for The Kinks, The Cars, and Foreigner. A re-recorded version of "Saturday Night" peaked at number 35 in the ''Billboard'' Hot 100,〔 〕 but the big break Brood hoped for didn't happen.〔Brood never gained a big audience in the United States, but a poster of "Herman Brood and his Wild Romance" can be seen in the David Cronenberg film ''Scanners'' (about 53 minutes into the film).〕 When he returned to the Netherlands in October 1979, his band had begun to fall apart, and soon his popularity went downhill.〔 ''Go Nutz'', the album Brood had recorded while in the States, and the movie ''Cha-Cha'', which finally premiered in December 1979, were considered artistic failures, even though ''Go Nutz'' produced three charting singles in the Netherlands and the ''Cha Cha'' soundtrack attained platinum status. The 1980 album ''Wait a Minute...'' was a minor success, but the follow-up albums ''Modern Times Revive'' (1981) and ''Frisz & Sympatisz'' (1982) failed to make the Dutch album charts.
Brood continued to record throughout the 1980s and had a few hits—a top-10 single, "Als Je Wint" with Henny Vrienten, and a minor hit with a reggae song, "Tattoo Song," but he spent more and more time on his art work. At the end of the '80s he made a comeback of sorts; ''Yada Yada'' (1988), produced by George Kooymans, was well-received, and he toured Germany with a renewed Wild Romance (which saw the return of Dany Lademacher). In 1990, he won the BV Popprijs, one of the highest Dutch awards for popular music, and recorded ''Freeze'' with Clarence Clemons of the E Street Band and Tejano accordion player Flaco Jiménez. A live "best of" album, ''Saturday Night Live'', appeared in 1992. His 50th birthday, in 1996, was celebrated with a show in Paradiso, Amsterdam, and the album (of duets) was released the same year.〔

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